Multiple Percussion Solo, Level One
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Britten, M. |
|
FIVE PIECES FOR MIXED PERCUSSION |
(Any 1) |
unac |
BM |
| Feldstein, S. |
|
MULTIPLE PERCUSSION |
(pp. 3, 5, 6—Any 1) |
unac |
ALF |
| Goldenberg, M. |
|
INTRODUCTORY ETUDE |
Studies In Solo Percussion |
unac |
CHAP |
| LaRosa, M. |
|
CONTEMPORARY DRUM METHOD |
(2, 3, or 4) |
unac |
SMP |
| O’Reilly, J. |
|
TWO FOR ONE |
Solos for the Percussion Player |
unac |
GS |
| Whaley, G. |
|
AUDITON ETUDES |
(No. 1) |
unac |
MER |
Multiple Percussion Solo, Level Two
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Feldstein, S. |
|
MULTIPLE PERCUSSION MUSIC |
(pp. 2, 4, 7—Any 1) |
unac |
ALF |
| Feldstein, S. |
|
MULTIPLE PERCUSSION MUSIC |
any one from pp. 2 -15 |
unac |
ALF |
| Goldenberg, M. |
|
STUDIES IN SOLO PERCUSSION |
(pp. 8 & 9 or pp. 10 & 11) |
unac |
CHAP |
| Kraft, W. |
|
TWO – FOUR – ONE ( 2 – 4 – 1) |
|
unac |
WIM |
| LaRosa, M. |
|
CONTEMPORARY DRUM METHOD |
(5, 6 or 7) |
unac |
SMP |
| O’Reilly, J. |
|
TRINOTE |
Solos for the Perc. Player |
unac |
GS |
| Stroffolino, D. |
|
SHORTSTOP |
|
unac |
KPS |
| Ukena, T. |
|
ACCENT FEVER |
|
unac |
SMC |
| Whaley, G. |
|
AUDITION ETUDES |
(No. 2) |
unac |
MER |
Multiple Percussion Solo, Level Three
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Feldstein/Black |
|
ALFRED’S DRUM METHOD BK. 2 |
either of 2 mp solos |
unac |
ALF |
| Feldstein, S. |
|
MOTIF |
Multiple Percussion Music |
unac |
ALF |
| Feldstein, S. |
|
MULTIPLE PERCUSSION MUSIC |
any one from pp. 16 -32 |
unac |
ALF |
| Gaetano, M. |
|
MULTIPLE EPISODE NO. 1 |
|
unac |
S4P |
| Goldenberg, M. |
|
STUDIES IN SOLO PERCUSSION |
(pp. 6 & 7 or pp. 12 & 13) |
unac |
CHAP |
| Granger, C. |
|
SOLO FOR SNARE & TEN. DRUM NO. 1 |
|
unac |
PERC |
| Henry, A. |
|
C.K. |
|
unac |
KPS |
| Henry, A. |
|
JUMPING FOR JOYCE |
|
unac |
KPS |
| LaRosa, M. |
|
CONTEMPORARY DRUM METHOD |
(8, 9, 10, 11, or 12) |
unac |
SMP |
| Kastuck, S. |
|
SYNCOPATED SWING |
|
unac |
KPS |
| O’Reilly, J. |
|
FIREWORKS |
Solos for the Percussion Player |
unac |
GS |
| Vachey, H. |
|
RECIT ET VALSE |
|
unac |
LED |
| Whaley, G. |
|
AUDITION ETUDES |
(Nos. 3 or 4) |
unac |
MER |
| Whaley, G. |
|
SOLOS & DUETS FOR SNARE DRUM |
any one from 11 mp solos |
unac |
MER |
Multiple Percussion Solo, Level Four
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Davis, T. |
|
MULTI-PERCUSSION SUITE NO. 1 |
|
unac |
BARN |
| Davis, T. |
|
SOLILOQUY |
|
unac |
CM |
| Feldstein, S. |
|
MULTIPLE PERCUSSION MUSIC |
|
unac |
ALF |
| Goldenberg, M. |
|
STUDIES IN SOLO PERCUSSION |
(p. 18 or 20) |
unac |
CHAP |
| Spears, J. |
|
INTRODUCTION & FURIOSO |
|
unac |
BARN |
| Spears, J. |
|
PROLOGUE & JUBILO FOR
MULTIPLE PERCUSSION |
|
unac |
SMC |
| Udow/Watts |
|
CONTEMPORARY PERCUSSIONST, THE |
any one from #1 – 6 |
unac |
MER |
| Whaley, G. |
|
AUDITION ETUDES |
(Nos. 5, 6 or 7) |
unac |
MER |
Multiple Percussion Solo, Level Five
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Burritt, M. |
|
STICKS OF ELOQUENCE |
|
unac |
LUD |
| DeLancey, C. |
|
LOVE OF L’HISTORIE |
|
unac |
MP |
| Feldstein, S. |
|
MULTIPLE PERCUSSION MUSIC |
(pp. 22, 24, 28, 30—Any 1) |
unac |
ALF |
| Goldenberg, M. |
|
STUDIES IN SOLO PERCUSSION |
(p. 14 or 26) |
unac |
CHAP |
| Kastuck, S. |
|
DANCE I |
|
unac |
KPS |
| Kraft, W. |
|
FRENCH SUITE FOR PERCUSSION SOLO |
(Mvts. 1 & 2) |
unac |
NEWW |
| McCormick, R. |
|
HOMAGE TO HARRY PARTCH |
|
unac |
KM |
| Moore, J. |
|
SONATA FOR PERCUSSION SOLOIST NO. 1 |
|
unac |
LUD |
| Peters, M. |
|
ETUDE NO. 2 |
|
unac |
MP |
| Peters, M. |
|
RONDO FOR FOUR TOM-TOMS |
|
unac |
MP |
| Schinstine, W. |
|
ETUDE FOR MEMBRANOPHONES |
|
unac |
CM |
| Udow/Watts |
|
CONTEMPORARY PERCUSSIONIST, THE |
any one from no. 7 – 10 |
unac |
MER |
Multiple Percussion Solo, Level Six
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Beck, J. |
|
EPISODE FOR SOLO PERCUSSION |
|
unac |
S4P |
| Dervaux |
|
BATTERIE SKETCH |
|
|
LED |
| Frazeur, T. |
|
MOOD PIECE |
|
unac |
PERC |
| Goldenberg, M. |
|
STUDIES IN SOLO PERCUSSION |
(pp. 24, 33, 36, 40, 46, 51,
54, 58, 63, 66, 69—Any 1) |
unac |
CHAP |
| Houllif, M. |
|
FOR A PERCUSSIONIST |
|
unac |
POTS |
| Kraft, W. |
|
ENGLISH SUITE |
(Two contrasting mvts.) |
unac |
AVM |
| Kraft, W. |
|
FRENCH SUITE FOR PERCUSSION SOLO |
(Mvts. 3 & 4) |
unac |
NEWW |
| Kraft, W. |
|
MORRIS DANCE |
|
unac |
AVM |
| Peters, M. |
|
PERPETUAL MOTON FOR SNARE DRUM & FOUR TOM TOMS |
|
unac |
MP |
| Pillin, B. |
|
DUO FOR PERCUSSION & PIANO |
(Piano required) |
|
AVM |
| Tagawa, R. |
|
INSPIRATIONS DIABOLIQUE |
(Intro. & any other mvt.) |
unac |
WIM |
| Udow/Watts |
|
CONTEMPORARY PERCUSSIONIST, THE |
any one from no. 9 – 20 |
unac |
MER |
| Witten, D. |
|
CONVERSATION FOR
MULTIPLE PERCUSSION SOLO |
|
unac |
SMC |
Multiple Percussion Duet, Level Three
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Snider, L. |
|
PERCUSSION DEBATE |
|
unac |
BM |
| Steele, C |
|
DUET FOR TOM TOMS |
|
unac |
KM |
Multiple Percussion Duet, Level Four
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Bolinger, G. |
|
MULPERETTE |
|
unac |
KM |
| Brown, A. |
|
VARIATIONS FOR TWO PERCUSSIONISTS |
|
unac |
PERC |
| Kraft, W. |
|
SCHERZO A DUE |
|
unac |
WIM |
| Leonard, S. |
|
IMPROVISATIONS-MULTIPLE DUET |
Contemporary Album for the
Snare Drum (Nos. 1 or 2) |
unac |
LUD |
| Schinstine, W. |
|
FOUR HANDS A-ROUND |
Advanced Canons (No. 3 or 13) |
unac |
SMC |
| Snider, L. |
|
PERCUSSION DEBATE |
|
unac |
PRO |
Multiple Percussion Duet, Level Five
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Brown,T. |
|
THREE/FOUR FOR TWO |
|
unac |
KM |
| Carey, D. |
|
EIGHT ETUDES FOR 2 PERCUSSIONISTS |
(Any 2) |
unac |
GMC |
| Schinstine, W. |
|
FOUR HANDS A-ROUND |
Advanced Canons (No. 11 or 25) |
unac |
SMC |
Multiple Percussion Duet, Level Six
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Schinstine, W. |
|
FOUR HANDS A-ROUND |
Advanced Canons (No. 24) |
unac |
SMC |
Multiple Percussion Instrument Duet, Level Two
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Czerny, C. |
Delecluse |
MUTATIONS |
(mba & vibe) any one from no. 1 – 7 |
unac |
LED |
| |
Moore, J. |
IT ONLY TAKES TWO |
(any 2 kpi) any one from no. 1 – 10 |
unac |
LUD |
| Whaley, G. |
|
PRIMARY HANDBOOK FOR MALLETS |
(any 2 kpi) any one from 6 duets |
unac |
MER |
Multiple Percussion Instrument Duet, Level Three
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Berkowitz, S. |
|
TEN DUETS |
(any 2 kpi) |
unac |
BMC |
| Czerny, C. |
Delecluse |
MUTATIONS |
(mba & vibe) any one from no. 8 – 15 |
unac |
LED |
| Gauger, T. |
|
DOUBLES |
(2 mba) |
unac |
GAUG |
| Henry, A. |
|
SEVEN FOR VIBRAPHONE |
|
unac |
KPS |
| Henry, A. |
|
SUMMER SONG |
|
unac |
KPS |
| Kabalevsky/Miller |
|
NINE KABALEVSKY PIECES |
(2 mba) |
unac |
LUD |
| Mazas, F. |
|
ALLEGRO MAESTOSO, NO. 1 |
Twelve Little Duets For
Two Violins, Op. 38, Bk. I |
unac |
GS |
| |
Moore, J. |
IT ONLY TAKES TWO |
(any 2 kpi) any one from no. 11 – 18 |
unac |
LUD |
| Pleyel, I. |
|
SIX LITTLE DUETS FOR 2 VIOLINS, OP. 8 |
(p. 5 or 8) |
unac |
GS |
| Whaley, G. |
|
MUSICAL STUDIES FOR THE INTERMEDIATE
MALLET PLAYER |
(any 2 kpi) any one of 6 duets |
unac |
MER |
Multiple Percussion Instrument Duet, Level Four
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Bach, J.S. |
Moore, J. |
INVENTIONS IN A MINOR |
Six Bach Two Part Inventions |
unac |
KM |
| Bach, J.S. |
Moore, J. |
INVENTIONS IN C MAJOR |
Six Bach Two Part Inventions |
unac |
KM |
| Bach, J.S. |
Moore, J. |
INVENTIONS IN D MINOR |
Six Bach Two Part Inventions |
unac |
KM |
| Bach, J.S. |
Moore, J. |
INVENTIONS IN F MAJOR |
Six Bach Two part Inventions |
unac |
KM |
| Boccherini/Edwards |
|
MINUET |
|
|
RU |
| DePue, W. |
|
SERENADE |
|
unac |
HAMA |
| Friedman/Combs |
|
I’M CERTAINLY LIVING A RAGTIME LIFE |
|
unac |
OPUS |
| Joplin, S. |
Combs, J. |
FAVORITE, THE |
|
unac |
OPUS |
| Lang, M. |
|
FIFTEEN BACH INVENTIONS |
(Nos. 6 or 8) |
unac |
ADL |
| Sarcich, P. |
|
FOUR DUETS FOR ONE MARIMBA |
|
unac |
SP |
Multiple Percussion Instrument Duet, Level Five
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Bach, J.S. |
Moore, J. |
INVENTION N B FLAT |
Six Bach Two Part Inventions |
unac |
KM |
| Carey, D. |
|
FOUR INVENTIONS FOR VIBRAPHONE & MARIMBA |
(No. 1 or 2) |
unac |
INW |
| Kohn, K. |
|
ADAGIO & VIVACE, SONATINA FOR MARIMBA |
(Four Hands) |
unac |
CF |
| Lang, M. |
|
FIFTEEN BACH INVENTIONS |
(Nos. 1, 7, 10, 11, 13—Any 1) |
unac |
ADL |
| Trad./Schinstine |
|
TEN CHRISTMAS CAROLS FR TWO MARIMBAS |
(Nos. 1, 3, 4, 5, 7, 9—Any 1) |
unac |
KM |
Multiple Percussion Instrument Duet, Level Six
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Carey, D. |
|
FOUR INVENTIONS FOR VIBRAPHONE & MARIMBA |
(No. 3 or 4) |
unac |
INW |
| Houllif, M. |
|
CONTEMPORARY MALLET DUETS |
(Any 2 kpi) |
unac |
PERM |
| Houllif, T. |
|
CONVERSATIONS FOR
VIBRAPHONE & MARIMBA DUO |
|
unac |
PERM |
| Kohn, K. |
|
ALLEGRO, LENTO & PRESTO, SONATINA
FOR MARIMBA, FOUR HANDS |
|
unac |
CF |
| Lang, M. |
|
FIFTEEN BACH INVENTIONS |
(Nos. 2, 3, 4, 12, 14, 15—Any 1) |
unac |
ADL |
| Levitan, D. |
|
DUET FOR MARIMBA AND VIBRAPHONE |
|
unac |
S4P |
| Molenhof, B. |
|
BUSY SIGNAL |
|
unac |
KM |
| Molenhof, B. |
|
ONE NOTCH HIGHER |
|
unac |
KM |
| Molenhof, B. |
|
QUIET CELEBRATION |
|
unac |
KM |
| Molenhof, B. |
|
SATURDAY’S CHILD SINGS A HOPEFUL SONG |
|
unac |
KM |
| Pleyel, I. |
|
SIX LITTLE DUETS FOR 2 VIOLINS, OP. 8 |
(pp. 16, 18—Any 1) |
unac |
GS |
| Tanner, P. |
|
DUO MINIATURE FOR
KEYBOARD-MALLET PERCUSSION |
(Any 3 Mvts.) |
unac |
PERC |
| Weiner, L. |
|
TWO BY TWO |
(Vibe & mba) |
unac |
SMC |
| Wheatley, D. |
|
DUO FOR TWO MARIMBAS |
(Mvts. 1 or 3) |
unac |
S4P |
Multiple Percussion Instrument Trio, Level One
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Farberman, H. |
|
CLASSICAL THEMES FROM THE THREE B’S, BK. I |
(pp. 3, 4, 10, 12—Any 1) |
unac |
BM |
Multiple Percussion Instrument Trio, Level Two
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Farberman, H. |
|
CLASSICAL THEMES FROM THE THREE B’S, BK. I |
(pp. 2, 6, 7, 11—Any 1) |
unac |
BM |
Multiple Percussion Instrument Trio, Level Three
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Alford, E. |
|
CONTRAPUNCTUS III FOR MARIMBA TRIO |
|
unac |
SMC |
| Farberman, H. |
|
CLASSICAL THEMES FROM THE THREE B’S, BK. I |
(pp. 5, 8, 9—Any 2) |
unac |
BM |
| Farberman, H. |
|
CLASSICAL THEMES FROM THE THREE B’S, BK. I |
(pp. 5, 6, 7, 8, 11—Any 2) |
unac |
BM |
Multiple Percussion Instrument Trio, Level Four
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Bach, J.S. |
Moore, J. |
FUGUE IN C MINOR |
Well-Tempered Clavier |
unac |
PERM |
| Farberman, H. |
|
CLASSICAL THEMES FROM THE THREE B’S, BK. II |
(pp. 2, 9, 12—Any 2) |
unac |
BM |
| Farberman, H. |
|
CLASSICAL THEMES FROM THE THREE B’S, BK. III |
(pp. 1 & 12) |
unac |
BM |
| Haydn J. |
Moore, J. |
TRIO SONATA NO. 1 |
|
unac |
PERM |
Multiple Percussion Instrument Trio, Level Five
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Farberman, H. |
|
CLASSICAL THEMES FROM THE THREE B’S, BK. III |
(pp. 2, 4, 6, 8, 10—Any 2) |
unac |
BM |
Multiple Percussion Instrument Trio, Level Six
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Briggs, T. |
|
SKETCHES FOR MALLET PERCUSSION |
(Any 2 Mvts.) |
unac |
PERC |
| Haydn, J. |
McCarty, F. |
MALLET TRIOS |
(Any 2) |
unac |
HAMA |
| Leonard, S. |
|
TWO CONTEMPORARY SCENES |
(All) |
unac |
SL |
Multiple Percussion Instrument Quartet, Level Two
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Bach, J.S. |
Moore, J. |
O SACRED HEAD |
(Mallet Quartet) |
unac |
PERM |
| Palestrina/Moore |
|
AGNUS DEI |
(Mallet Quartet) |
unac |
PERM |
Multiple Percussion Instrument Quartet, Level Three
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Byrd/Weinberg |
|
SELLINGER’S ROUND |
|
unac |
SMC |
| Gomez, A. |
|
RAINBOWS |
|
unac |
SMC |
| Handel, G. |
Moore, J. |
ALLEGRO, WATER MUSIC |
(Mallet Quartet) |
unac |
PERM |
| Humperdinck/Moore |
|
EVENING PRAYER |
(Mallet Quartet) |
unac |
PERM |
| Isaac, M. |
Weinberg |
LA MI LA SOL |
|
unac |
SMC |
| Lara, A. |
Jeanne, R. |
MARIMBA |
(Mallet Quartet) |
unac |
PERM |
Multiple Percussion Instrument Quartet, Level Four
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Bach, J.S. |
Olmstead |
BOURREE |
from Partita No. 1 |
unac |
S4P |
| Handel, G. |
Jeanne, R. |
AIR, WATER MUSIC |
(Mallet Quartet) |
unac |
PERM |
| Handel, G. |
Moore, J. |
BOURREE |
(Mallet Quartet) |
unac |
PERM |
| Haydn, J |
Leonard, S. |
FOUR CANONS |
(Mallet Quartet)(Any 2) |
unac |
LUD |
| Joplin/Rauschenberg |
|
SOLACE |
(Marimba Quartet) |
unac |
EXC |
| Leonard, S. |
|
PRELUDE FOR FOUR MARIMBAS |
|
unac |
VOLK |
| Offenbach/Jeanne |
|
CAN CAN, ORPHEUS |
(Mallet Quartet) |
unac |
PERM |
| Schubert/Jeanne |
|
MOMENT MUSICAL |
(Mallet Quartet Opt. D.B.) |
unac |
PERM |
Multiple Percussion Instrument Quartet, Level Five
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Granados, E. |
Fink, M. |
SPANISH DANCE |
|
unac |
S4P |
| Haydn, J. |
Jeanne, R. |
RONDO, STRING QUARTET, OP. 33, NO. 3 |
(Marimba Quartet) |
unac |
PERM |
| Joplin, S. |
Moore, J. |
ENTERTAINER |
(Mallet Quartet) |
unac |
PERM |
| Marquina/Jeanne, R. |
|
ESPANI CANI |
(Marimba Quartet) |
unac |
PERM |
| Raff, J. |
Jeanne, R. |
MILL, THE |
(Marimba Quartet) |
unac |
PERM |
| Rodriguez/Jeanne, R. |
|
LA CUMPARSITA |
(Marimba Quartet) |
unac |
PERM |
| Trad. Mexican/Jeanne |
|
LA LORONA |
|
unac |
PERM |
Multiple Percussion Instrument Quartet, Level Six
(Rolls may be added to violin & flutes duets at the discretion of the performer)
Composer
|
Arranger
|
Title
|
Portion/Collection/Worktitle
|
Accom.
|
Publisher
|
| Bach, J.S. |
Moore, J. |
TOCCATA IN D MINOR |
(4/5 Mallet Inst.) |
unac |
PERM |
| Brahms, J. |
Houllif, M. |
HUNGARIAN DANCE NO. 5 |
|
unac |
PERM |
| Delp, R. |
|
QUATERNION FOR PERCUSSION QUARTET |
(Xyl., Vib., Mar., Perc.) |
unac |
SMC |
| Dvorak, A. |
Moore, J. |
FINALE, AMERICAN QUARTET IN F MAJOR |
(Mallet Quartet) |
unac |
PERM |
| Green, J. |
Witten, D. |
XYLOPHONIA |
|
unac |
SMC |
| Houllif, M. |
|
TIMEPIECE |
(Mallet Quartet) |
unac |
PERM |
| Joplin/ Houllif |
|
MAPLE LEAF RAG |
(3 Mallets & Drum Set) |
unac |
PERM |
| Kabalevsky/Jeanne |
|
GALLOPING COMEDIANS |
(Marimba Quartet) |
unac |
PERM |
| Mozart, W. |
Moore, J. |
ALLEGRO, EINE KLEINE NACHTMUSIK |
(Mallet Quartet) |
unac |
PERM |
| Mozart, W. |
Moore, J. |
RONDO ALA TURK |
(Marimba Quartet) |
unac |
PERM |
